Blunder: a stupid or careless mistake or to make one.
That pretty much sums up the family in this new release from one of the most popular authors for young readers. "The Blunders are the most blundersome family in the blundering history of blunderdom. They live in a crumbling country house named Blunder Hall. It has been in the family for hundreds of years in the heart of the English countryside."
And like so many stately homes of its ilk, it is slowly crumbling and the family is constantly and desperately seeking ways to raise funds to maintain it. For Lord Bertie Blunder ("a classic upper class twit"), this means inventing something that will make the family a fortune but sadly, his inventions tend to be so silly and impractical that they cost more than they raise. But if he is to keep his family together and his home his castle, he needs to do something before The Man from the Bank who has his own plan to seize Blunder Hall can close everything down.
Fans of David Walliams will appreciate finding this either in their Christmas stocking or on the school library shelves, as will those who are just embarking on their independent reading journey because of its easy-to-read text liberally illustrated with line drawings that not only support the story but are also LOL in themselves. The characters are caricatures, the humour is slapstick, and the whole read one that will support the young reader in their belief that they can read, even thick books like this one.
Themes Upper classes, Houses.
Barbara Braxton
How it works: Electricity by Victoria M. Williams. Illus. by Miguel Bustos
Whoever labelled the magic that happens when you turn on a light switch "electrickery" nailed it, in my opinion. Never one to understand the phenomenon, even I, as a 'more mature' adult learned something from this new book from Usborne. So if I can, your students certainly will.
The source of our energy is a hot topic right now as the switch to renewables becomes more necessary and urgent, and so, more than ever, understanding how it works and where it comes from is becoming a part of even the primary school curriculum. So starting with the basics of what electricity actually is the reader is led step by step through diagrams, explanations and lift-the-flap discoveries to understand how electricity is naturally generated to being able to harness it and even look at future sources, some quite unexpected. And there are the usual Quicklinks to support further investigation.
Living in a town whose history is steeped in the building of the original Snowy Hydro project and whose future is closely tied to Snowy 2.0, this was a must-read for me and IMO, an essential part of your non fiction collection.
Another in the series, Big Bright Feelings by Tom Percival, teaching acceptable behaviours in a very direct way, Finn's little fibs uses humour as a means to this end. In this book we see a young boy telling a little lie, but as he is asked about it, the lie compounds and he becomes overwhelmed with the extra lies he must tell to hide the truth.
Finn loves visiting his grandma, but one day he breaks his grandma’s clock, something she held dear. Instead of owning up to the accident Finn blames his younger sister, Simone. Grandma asks how Simone could have reached the clock and he tells another lie to cover the first. A blob appears whenever he tells a lie, and he continue the lie when his parents return and ask about the clock. He becomes burdened with the blobs because he has had to tell so many lies.
This little fib leads to some awkward situations where Finn is forced to tell another lie.
Over the weekend the blobs get in the way of him doing anything, they are all he can think about.
He thinks and thinks and decides that the only way to rid himself of this burden is to tell the truth. And he does, to the relief of everyone else who saw through his lies.
A neat resolution sees Finn promise ever to lie again, or if a lie did slip out now and again, he would own up straight away.
This is a wonderful vehicle for discussions about the difference between lying and telling the truth, a book for use at home or in the classroom.
Themes Truth, Lying, Humour.
Fran Knight
Bluey Advent Calendar Book Collection by Bluey
Puffin, 2023. ISBN: 9781761342240. (Age:3+)
What better way to start this year's Christmas Countdown than with a countdown for the youngest readers of one of their own all-time favourite characters?
There are 24 special mini Bluey books from story books to colouring in, bundled together in this Advent calendar which will keep kids entertained all the way through December finishing with a very special edition of Verandah Santa for Christmas Eve. Starting with Meet Bluey and Bingo, and then Meet Mum and Dad, this is a collection for all the Bluey fans as they revisit some of the popular episodes of the television series while also being able to engage with the characters in the colouring books.
What a way to inspire the excitement and joy of reading - Bluey AND Christmas.
Themes Bluey, Christmas.
Barbara Braxton
Escape from Mr. Lemoncello's library by Chris Grabenstein. Illus. by Douglas Holgate
As a fan of the novel Escape from Mr. Lemoncello’s Library (and related books in the series), I was keen to see if the transition to the graphic novel format would be as successful. More than anything it added another unexpected dimension to the story with the visual aspect. Being able to view each of the diverse characters, the expressions on their faces when experiencing success, disappointment or hurt, and to ‘see’ the busyness of their quest made for an enjoyable and entertaining read.
The storyline of the quest to escape from the library is true to the novel version and the way the children form alliances and solve the clues is cleverly shared with readers. The use of the Decimal Dewey Classification (DDC) as the background to the story is a wonderful introduction for those unsure of what it actually is and how it all works. Throughout the quest the children solve puzzles using the DDC related to famous people from historical times, well known or unfamiliar book titles and library subject areas. The story shares the values of teamwork and problem-solving as well as reinforcing the age-old saying ‘Cheats never prosper.’
The colours used throughout are bold and bright with subtle changes made when the emphasis in time and action changes. The full page rebus on page 127 and the list of progress so far on page 154 were welcome additions for the reader to fully connect with the story. This wonderful version of Escape from Mr. Lemoncello’s Library reinforces how amazing libraries are and is now accessible for a new generation of readers who enjoy the graphic novel format.
Casander Darkbloom and the Threads of Power, written by P A Staff is a new fantasy series with plenty of twists and turns to keep the reader intrigued. This story will appeal to those who enjoy reading a fantasy adventure, while intertwining messages of embracing differences and accepting uniqueness in oneself.
Twelve-year-old, Casander wakes every morning with no memory of his days before. He has no idea where he belongs and at times has outbursts of uncontrollable spasms in his limbs. After waking, again with no idea about what has happened in previous days, weeks or years, Casander finds himself outside Crane’s Curiosity shop, and in the rain. Invited in by the manager, he is momentarily relieved. However, everything suddenly changes, and his life is turned upside down, when he unexpectedly brings to life a taxidermied raven and then strangers try to grab him.
Rescued and whisked away by a girl he doesn’t know called Warrior, he is taken to the Wayward world for safety. Warrior believes Casander has the powers that she and all those around her need. As the potential ‘Foretold’, Casander must quickly learn his skills and prepare to defeat the evil powers of the Master of All.
Together, with new friends Warrior, Paws and Fenix, they work together through many challenges that arise within a year at a magical school. Casander must learn his new craft and magic with the aim to defeat the Master of All; to bring balance back to their world.
Staff has written an intriguing story; entwined with how one’s differences should be celebrated and embraced for the strengths that they are. Building in suspense, with twists and turns along the way, the audience is left eagerly reading on to find out more. For those lovers of fantasy, adventure and action, this novel is worth a read!
Questions & answers about growing up for boys and girls by Joanna Cole. Illus. by Bill Thomas
Farshore, 2023. ISBN: 9780008587871. (Age:9+)
Fifty years ago, in 1973, Peter Mayle and Arthur Robins collaborated on two books that provided answers (with illustrations) on many of the questions that children have about growing up, body changes and their own origins. And Where Did I Come From? and What's Happening to Me? were so revolutionary at the time that they are still in print, recognisable and readily available today because there is still a need for them.
Questions about puberty, sex, and transitioning into adulthood will always exist, and given the fuss made about a recently released book written for teens and the banning of so many similar titles in so many states in the USA, it is clearly a topic that many parents are still not comfortable discussing with their children. What we used to learn behind the shelter sheds in the school playgrounds is now available everywhere just by watching a movie, television or an internet search, although there is no guarantee that what is learned is accurate or healthy.
And so, no-nonsense, factual books such as this new one from experts in relationships and sex education remain a necessity in library collections so that our children can learn and know for themselves. While the average age for girls to start puberty is 11 and for boys it is 12, it's perfectly normal for puberty to begin at any point between the ages of 8 and 13 in girls and 9 and 14 in boys and thus this book has a place on primary school shelves as well as this blog. Using a Q&A format it covers the usual areas of the changes that boys and girls will experience but also touches on issues such as gender identity and contraception, the explanations being factual and straight-forward so that not only are the questions shown to be common and normal but also the answers and actions. Children experiencing the changes and wondering what's happening do not need to feel alone, abnormal or even dirty, and thus, they can understand that they are just like everyone else about the same age, but they have the advantage of knowledge.
For those born in a time when babies came from the cabbage patch or were delivered by a stork, when homosexuality was a criminal offence with an attached jail term, and the only source of information was from behind those shelter sheds, the normalisation of the conversations these days may seem strange and hence the actions in those US states where teachers and school librarians can face criminal charges for sharing books like this (or even having them in the collection) but IMO, the more information our children can access the better and so this is an important addition to your 612.6 section.
The sequel in the Hurog duology, following Dragon Bones, is set four years on and sees Ward, ruler of Hurog, trying to keep his lands and people prosperous. When a friend seeks refuge in Hurog Keep, after being tortured by King Jakouen, Ward is forced to think about the growing rebellion against the king and consider what side he will choose to join. When he realises that the King has a magical artifact that could ruin the country, he knows that he must find it as it is dragon’s blood, the very blood that runs through his veins, that will awaken it.
Readers will find Dragon blood to be much darker than Dragon bones, with themes of torture, abuse and rape, trigger points. Briggs does not overtly go into detail but these themes may make it suitable for adult readers only.
Ward grows in strength and self-confidence and his belief in looking after strays and his people shines throughout the book. He must use his wits to stop the High King from taking Hurog Keep and destroying the countryside.
The side romance between Ward and Tisala lightens the dark elements of the plot, with Ward gradually winning Tisala’s trust and love. Action is nonstop and keeps the reader breathless, eager to continue to see Ward’s developing leadership skills and how he will fare in his quest to save the kingdom.
Briggs has packed complex characters, dragons, dwarves, dark themes and romance, in 275 pages of well written, engrossing high fantasy. Readers who enjoy this may like Robin Hobb’s novels.
Themes High fantasy, Torture, Court intrigue, Abuse.
Pat Pledger
The impossible secret of Lillian Velvet by Jaclyn Moriarty
Allen & Unwin, 2023. ISBN: 9781761067570. (Age:9+) Recommended.
Jaclyn Moriarty is a multi-award-winning and internationally bestselling Australian author. Australian children have probably discovered or had their teachers and librarians introduce them to the Kingdoms and Empires books back in 2021 when The stolen prince of Cloudburst was an Honour book of the Children's Book of the Year Awards: Younger Readers. Readers of The impossible secret of Lillian Velvet will recognise some of the characters from other books in the series.
Moriarty is certainly able to spin and weave a story. The reader is taken (with Lillian) backwards and forwards in time. In today's world she lives with her extremely cold grandmother and is homeschooled. She knows no one and has never met other children. Her grandmother just calls her "Child" - never by her name. Grandmother sets her tasks. No matter how commanding she is, Velvet always responds with unending kindness, thoughtfulness and helpfulness. Everything changes when Velvet is given a jar of coins on her tenth birthday.
At the beginning of the book is a map of fantasy kindoms. With the aid of the coins, Velvet is "shoved" to these kingdoms where she meets and tries to help troubled people. It is unusual for characters to be "shoved" into other worlds in literature. Usually they go through portals. Velvet has little control over when or where or for how long she will be shoved into other worlds. As the story progresses, she learns a little more about herself and starts to make connections about the people she meets in these fantasy worlds.
Narrated in the first person by the delightful and courageous Lillian Velvet, the story follows her challenging adventures across time and different enchanting and dangerous worlds. She deals with Shadow Mages who make trouble, true Mages who make joy and Spellbinders who deal with trouble by taking it up in their nets. The question is - "Who is Lillian Velvet - the baby who was left on the doorstep in a basket."
Moriarty's writing is sensory. She evokes settings powerfully eg. "... the scent of fresh pine needles filled the air, murmers and laughter drifted on the breeze...the soft plashing of the lake...seemed to be making shy contributions to the conversation." With constant time travel to different places, the reader could become confused but Moriarty has Velvet summarise her experiences from time to time so that the reader doesn't lose the plot.
As a fan of Patricia Briggs’ Mercy Thompson series, I was interested to pick up her early series and I was not disappointed. Ward of Hurog has pretended to be stupid, ever since his abusive father almost killed him. A very tall, large man it has been easy for him to play the fool, duping his family and members of the Hurog household. However, when his father dies, he must hold onto his kingdom by proving that he is worthy and sets off with a party of supporters to a war at the border to show that he is capable of leading Hurog. But Ward has enemies who want the dragon bones that are hidden under Hurog Keep and he must not only prove himself but keep his enemies at bay.
In her short (295 pages) high fantasy, Briggs packs in well developed characters, setting and action. Ward is an engaging hero, who narrates his journey in the first voice, alternating with occasional chapters that relate to what is happening in the court. In this way the reader is introduced to all the key players in the story. Briggs is an adept author and it was easy to follow who was who and to visualise the events in Hurog Keep and the King’s court. The theme of abuse is strong, with Ward and his brother and sister being abused terribly by their father and this may make it unsuitable for younger readers. For those who enjoy romance with their fantasy, there is a slight romance that is likely to develop in the next in the series.
Overall, I found Dragon Bones difficult to put down because I was vested in finding out how Ward would manage in his difficult quest. I immediately began the second in the duology, Dragon Blood. Certainly, this is a novel for fans of Patricia Briggs, high fantasy and dragons.
Themes Fantasy, Court intrigue, Abuse, Dragons.
Pat Pledger
Let's go! On an ambulance by Rosalyn Albert and Natalia Moore
Catch a Star, 2023. ISBN: 9781922326799. (Age:0-3) Recommended.
A solidly constricted board book just the right size for small hands and full of brightly coloured detail On an ambulance is one in a series of books in the Let’s Go series presented by New Frontier Publishing. Designed for the very young, the rhyming lines beg the child to predict the rhyming words, and they will learn new words as they have this book read to them, broadening their vocabulary and strengthening their ability to say them out loud.
On an ambulance takes the reader on a journey of what an ambulance is for and showing this through picking up an injured person, dealing with them in the ambulance and taking them to hospital.
A child has fallen from the tree, injuring her arm and knee. The ambulance uses its siren to get to the injured person, passing other traffic as it goes. Once there the ambulance officers help the person into the ambulance and deal with the injured, and calming them. Lights flash as the injured person is taken to hospital.
Lots of new information is given to the reader and words that are possibly unfamiliar can be learnt.
There are twelve books in the Let’s Go series.
Themes Let’s Go series, Ambulance, Hospital, Accidents.
1966 New York, and 16-year-old Mae is looking for escape from her alcoholic mother and school bullies. She finds this in the invitation to become a typist for the eccentric Drella, where she has to transcribe the tapes of strange, disjointed conversations and interviews and that will comprise his book. Over time we realise that these are the tapes that became Warhol’s 1968 novel, A Novel and that Mae is one of the four impressionable young typists privy to the events and personalities of 1965 that Warhol surrounded himself with. However, like Mae, we barely meet Warhol himself, but Flattery has vividly conjured up the gritty atmosphere of abandon and hedonism that he created, often to the detriment of his followers.
Mae begins to identify more with the contents of the tapes than with her own unsatisfying life, and although unacknowledged, sees herself as part-author of the book. She becomes an uneasy voyeur and sometime participant of the bizarre, often degrading activities in Warhol’s The Factory, which compounds the disillusionment she experiences with her own life.
In several short chapters, we also see Mae, aged 35 and 60, reflecting back on that time, and particularly her relationship with her mother, recalled with more perception, but possibly no greater sense of fulfilment or contentment.
In some regards, nothing special happens in the book, and Mae sees herself as nothing special, but set as it is, in a period of rapid and unprecedented social change, she makes many insightful observations about the process of making and consuming art, and the need to belong, achieve, make a statement and rebel.
Nothing Special would be best appreciated if the reader has some knowledge of Warhol and his world, in order to place the characters, and not be surprised by the numerous descriptions of sex scenes, drug use and situations of coercive, emotional abuse, voyeurism and obsessions.
Themes Warhol, 1960s, New York, Coming of age, Relationships.
Margaret Crohn
Secrets of the Saltmarsh by Claire Saxby. Illus. by Alicia Rogerson
Where the land meets the sea is a fringe that is sometimes sea and sometimes land - depending on the tides - one of the most unique environments of the planet. For thousands of years First Nations people have harvested the rich seasonal food resources they offer and they support countless life cycles from that of tiny bacteria to large migratory birds, each dependent on each other and the land, ocean, water, wind, sunlight and seasons, at the same time as they store up to four time more carbon than ordinary forests.
While they have often been drained to provide more room for human housing, slowly we are learning more about how critical they are to the planet's health and this new book for younger readers by a master pf narrative non fiction starts to raise awareness from an early age. From the front endpaper featuring just some of the birds that can be found to the final one featuring fingerling fish, the book is a masterpiece of introducing this special, little-known environment. Written in the first person, each double page spread focus on either one of the elements that is so crucial to the saltmarsh or the creatures that live within it and how they contribute to wellbeing, and, like the inhabitants of the marsh, there is a symbiotic relationship between Saxby's lyrical text and Rogerson's illustrations.
Perhaps I was drawn to this book because I have just finished Where the Crawdads Sing by Delia Owens, a novel in which the environment plays such a significant part in the story, and, to my knowledge, there have been few books on this biome for young readers despite its diversity and importance. Nevertheless, like The Great Southern Reef, this is an environmental phenomenon that is accessible to so many of our students and thus one that greater awareness will build an appreciation for.
A must-have in any collection focusing on environmental biodiversity. Teachers' Notes and a book trailer are available.
Themes Wetlands, Coastal ecology, Birds.
Barbara Braxton
Under the red shawl by Vikki Conley. Illus. by Martina Heiduczek
New Frontier, 2023. ISBN: 9781922326829. (Age:4+) Highly recommended.
This endearing look at the life of a woman and her baby son, trying to find a place of safety parallels the story of the shawl, first used as a baby blanket and carry scarf, a tent and a rug, then as a bed cover but finally after finding a hone, the shawl is now too small to cover them. In this way the author shows the longevity of many refugees’ search for a safe haven. Without showing the horror from which they are running, the illustrator instead shows them as part of a stream of refugees leaving their city, while on the road the loneliness and contrasting blazing sun and sleeting snow shows the distance they are covering to reach their goal.
In a spare text, Coney depicts the plight of the refugee, with little or no possessions, the shawl is a baby blanket, a cover to keep out the sun and wind, a carry scarf for the baby, a rug to put on the dry earth to sit on, a blanket to keep them both warm, a tent to shelter under and finally a template for more scarves to sew and sell.
It is a warm, thought provoking story of loss and privation, or people searching for a new place of shelter, of the power of stories to keep imagination alive.
Martina’s illustrations are full of colour and life, as the boy grows from a baby to a toddler, to a young boy singing the new song of his life with his mother. Martina likes to have readers think about what they are seeing; she likes to provoke readers to see beyond the pages asking questions about their background, her husband, the trip they are taking and where they end up. All sorts of questions will emanate from inquisitive children, looking for clues on the pages but also bringing in stories they have heard.
London based, Scottish, bestselling, award-winning children's writer, Elle McNicholl has in Like a charm, a third novel that follows in the path of A kind of spark in its theme and atmospherics. Her books have been aptly described as "bewitching" and Like a charm certainly fits that bill.
Travelling with the first person perspective of 12-year-old Ramya, the reader is immersed in a magical world that is powerfully set in Edinburgh, both in the dark corners and bookshops of the city, underground and across the River Forth to the isle of Inchkeith. A magical atmosphere of foreboding - of dark, swirling mists, statues that come to life and dangerous supernatural beings is conjured. Through this moody place stumbles Ramya, a lonely, neglected girl with dyspraxia. She slowly learns that she can see through glamour (a magical shield that supernatural beings use to hide themselves). This very special power grows as her courage is tested and as she negotiates challenges in both the human and supernatural world.
In Like a charm, the magical world exists in parallel to the human world and both worlds are subject to increasing division and upset. In a way, the book reads as a political allegorical story describing what goes wrong when humans don't work together in harmony. When there is division, evil escapes through the cracks. Ramya is a brave and feisty character. The reader can't help but cheer her on through all the danger and suspense.
McNicoll is autistic herself and a great champion of the representation of neurodivergence in literature. It is of no surprise that she has teamed with Knights Of, a multi award-winning inclusive publisher that focuses on "bringing underrepresented voices to the forefront of commercial children's publishing."
Like a charm is a touching, inspiring and cerebral book. It is for advanced readers who can understand multi-layered, complex and unpredictable storylines featuring a cast of characters. It is also for readers who might catch a glimpse of themselves in a character like Ramya and who need to learn that everybody is special and everyone can find a friend. It's for those who need to learn something about themselves - that if you do a good thing for the right reason, you can be light and free and beloved and stylish and glamorous!
