Letters to the lost by Brigid Kemmerer
Bloomsbury, 2017. ISBN 9781408883525
(Age: 14+) Highly recommended. Themes: YA Romance; Grief;
Relationship; Family; Juvenile Justice; Photography; Alcoholism.
This is a story of the compounding distress of grief and loss; a
story of two young teen lives irreconcilably altered by different
tragic circumstances who happen upon each other through their words
on a page - delivered at a graveside. Their twisted and distorted
realities make them vulnerable and uncertain, and as strangers they
bond as they share with one another truths that they could not say
face-to-face. This dialogue enables them to come to grips with all
that is happening in their lives and leads them to a relationship
that could all come unravelling very fast if they actually knew who
it was that they were unburdening themselves to. The complexities of
grief and the impacts that it has when those who grieve feel an
element of guilt, are part of the burden for the teen protagonists,
Juliet and Declan. The two letter writers (and eventually email
correspondents writing under assumed names) are both reeling,
pushing people away in real life and hiding from help, but the
lifeline of their correspondence gives them hope and draws them
together. This is not a Romeo and Juliet saga, but it does have some
of the anguish of a developing young relationship built on shaky
ground.
The secondary characters in this book are winningly portrayed -
Declan and Juliet's teachers, who care in an above-and-beyond way
and see through the masks that are exposed to the world; friends who
are robust in complexity and yet are strongly loyal, and are not
stereotyped; family members who themselves need to deal with the
torturous path of recovering from loss. This aspect of the book
makes this a multi-layered romance and exploration of deeper
relationship issues, but while still retaining clever plot
development and nuanced characterisation. The power of photography
to capture a moment is also used in an intriguing way through this
story.
Note: No inappropriate language issues - rare in YA fiction and very
much appreciated.
Carolyn Hull